This musical sculpture uses the materials used in the manufacture of the violin, namely maple and spruce.

The body of the instrument, hollowed out of a block of maple, represents a female foot shod in a lizard-covered pump.

The fingerboard takes up the proportions of the violin and ends with a classically shaped volute.

The heeled shoe, from the ankle boot to the pump, presenting the arch of the foot as the expression of erotic desire has remained, since Restif de la Bretonne at least, (“Le pied de Fanchette”, 1763) to Bruce Gray, without forget Sacher-Masoch and of course the Surrealists, one of the most emblematic subjects of sensuality.